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home·artworks·William IV of the United Kingdom
William IV of the United Kingdom by David Wilkie

plate no. 3933

William IV of the United Kingdom

David Wilkie, 1832

oilRomanticismportraitportraitfigureroyalclothingcrowncolumn
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex fabrics and textures. It also provides practice in creating a sense of depth and atmosphere through subtle value shifts.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with broad, blended strokes of dark browns and grays.

  3. step 03

    Block in the main shapes of the figure, including the clothing and face, using mid-tones.

  4. step 04

    Begin adding highlights and shadows to define the form of the figure and create a sense of volume.

  5. step 05

    Develop the details of the face, paying close attention to capturing the likeness of the subject.

  6. step 06

    Render the textures of the clothing and accessories, using a variety of brushstrokes and techniques.

  7. step 07

    Refine the background and foreground, adding details and adjusting values to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the fabrics by mixing the primary colors with white and umber to create muted tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas 24x36
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red, yellow ochre, burnt sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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