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home·artworks·William Ewart Lockhart, Artist
William Ewart Lockhart, Artist by James Archer

plate no. 6166

William Ewart Lockhart, Artist

James Archer, 1891

oilRomanticismportraitportraitfiguremanclothinghairmustache
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in using visible brushstrokes to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a thin wash of reddish-brown.

  3. step 03

    Block in the main areas of light and shadow on the face, using a limited palette of earth tones.

  4. step 04

    Gradually build up the skin tones with layers of thin paint, blending carefully to create smooth transitions.

  5. step 05

    Add details to the eyes, nose, and mouth, paying close attention to the subtle variations in color and value.

  6. step 06

    Paint the hair and beard, using short, broken brushstrokes to create texture.

  7. step 07

    Define the clothing and background with bolder brushstrokes, suggesting form and depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre

Mix skin tones by blending white with small amounts of burnt umber, raw sienna, and cadmium red. Use yellow ochre to warm up the skin tones and ivory black to create shadows.

techniques

  • ·portraiture
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·layering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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