
plate no. 6324
Charles Turner, 1812
This painting provides a good exercise in creating subtle value transitions and rendering realistic skin tones using a limited palette. Students can practice portraiture basics and learn to capture likeness.
technical profile
approach — 8 steps
Lightly sketch the oval frame and the basic proportions of the figure.
Block in the main shapes and values using a thin wash of color.
Establish the darkest areas of the portrait, such as the shadows in the hair and clothing.
Gradually build up the mid-tones, paying attention to the subtle shifts in value.
Refine the facial features, focusing on accurate placement and proportions.
Add highlights to the face, hair, and clothing to create depth and dimension.
Soften edges and blend transitions to create a smooth, realistic effect.
Add final details, such as the buttons on the coat and the texture of the hair.
color palette
primary · raw umber · ivory black · titanium white
secondary · yellow ochre · burnt sienna
Mix raw umber and ivory black to create a range of neutral grays and browns. Add titanium white to lighten the values and yellow ochre or burnt sienna for subtle warmth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for best results. Consider using a toned canvas to help establish the mid-tones.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke