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home·artworks·William Elmslie
William Elmslie by John Pettie

plate no. 4815

William Elmslie

John Pettie

oilRomanticismportraitportraitfiguremanbookrobecurtain
some experience helpful

This painting offers practice in portraiture, focusing on capturing likeness and rendering realistic skin tones. Students will also develop skills in depicting fabric and creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the main shapes and values of the background, robe, and face.

  3. step 03

    Begin layering in the skin tones, paying attention to highlights and shadows.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth.

  5. step 05

    Work on the details of the robe and book, adding folds and texture.

  6. step 06

    Add the highlights and shadows to the hands.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Varnish the painting when dry for protection and to enhance colors.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · ultramarine blue · yellow ochre

Mix skin tones by blending white, sienna, umber, and a touch of alizarin crimson. Use ultramarine blue and ivory black for the robe, adding white for highlights.

techniques

  • ·portrait sketching
  • ·value studies
  • ·layering
  • ·blending
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle shifts in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·retouch varnish

Use high-quality oil paints for best results. Pre-toned canvas can help establish mid-tones.

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oil painting for beginners →how to learn by studying the masters →
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