apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·William Dick
William Dick by William Shiels

plate no. 5544

William Dick

William Shiels

oilRomanticismportraitportraitfiguremanclothingbookdesk
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones. It also provides practice in rendering fabric and creating a sense of depth through tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Start building up the skin tones, layering colors and blending carefully.

  4. step 04

    Define the features of the face, paying attention to highlights and shadows.

  5. step 05

    Paint the clothing, focusing on the folds and drapery.

  6. step 06

    Add details to the book and desk, creating texture and interest.

  7. step 07

    Refine the background, creating a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · viridian

Mix skin tones using white, burnt sienna, yellow ochre, and a touch of red. Achieve the darks in the clothing by mixing ivory black and raw umber. Use viridian and white for the green book cover.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany oil paint

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke