apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Wilhelmine with a Ball
Wilhelmine with a Ball by Lovis Corinth

plate no. 1227

Wilhelmine with a Ball

Lovis Corinth, 1915

oilImpressionismportraitportraitfigurewindowhatclothingball
experienced study

Recreating this painting will help students develop skills in capturing likeness with expressive brushstrokes and understanding color temperature to create depth and form. It also provides practice in simplifying complex patterns and textures.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background window.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Begin building up the skin tones, focusing on the subtle shifts in color and value.

  4. step 04

    Work on the clothing, simplifying the patterns and using broken color to create texture.

  5. step 05

    Paint the hat, paying attention to the form and the way the light hits it.

  6. step 06

    Develop the background, using loose brushstrokes to suggest the window and the surrounding environment.

  7. step 07

    Add the details, such as the eyes, mouth, and any small accents.

  8. step 08

    Refine the painting, adjusting the colors, values, and edges as needed.

color palette

primary · titanium white · burnt umber · ultramarine blue · cadmium red

secondary · yellow ochre · viridian green · ivory black

Mix skin tones using white, red, yellow ochre, and a touch of blue or umber. Achieve the grays and blues of the clothing by mixing blue, white, and umber. Use viridian green mixed with yellow and white for the window.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·impasto
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Getting bogged down in the complexity of the patterns and textures.
  • →Failing to capture the likeness of the figure.
  • →Not paying enough attention to the values and the way the light affects the colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann