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home·artworks·Wide Lands of the Navajo
Wide Lands of the Navajo by Maynard Dixon

plate no. 3349

Wide Lands of the Navajo

Maynard Dixon, 1945

oilImpressionismlandscapelandscapehorsescloudsskymountainsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains and clouds.

  2. step 02

    Establish the sky with a gradient of light blue, blending towards the horizon.

  3. step 03

    Block in the large shapes of the clouds with white and subtle shadows using gray and lavender.

  4. step 04

    Paint the distant mountains, using cooler, muted tones to create atmospheric perspective.

  5. step 05

    Establish the foreground with warm browns and yellows, adding details to the vegetation.

  6. step 06

    Paint the horses and riders, paying attention to their relative scale and placement within the scene.

  7. step 07

    Add highlights and shadows to the horses and riders to give them form.

  8. step 08

    Refine details and adjust values to create a sense of depth and realism.

color palette

primary · titanium white · cerulean blue · yellow ochre · burnt sienna

secondary · ultramarine blue · raw umber · cadmium yellow light · alizarin crimson

Achieve the sky color by mixing cerulean blue with white, adding a touch of yellow ochre near the horizon. Mix browns and earth tones for the landscape using burnt sienna, raw umber, and yellow ochre. Use alizarin crimson to create the red in the canyon.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·layering
  • ·scumbling
  • ·simplified forms

common pitfalls

  • →Overworking the clouds, resulting in a flat appearance.
  • →Failing to create enough contrast in the foreground.
  • →Ignoring atmospheric perspective, making the mountains appear too close.
  • →Incorrect proportions of the horses and riders.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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