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Why so large cost, having so short a lease by Eleanor Fortescue-Brickdale

plate no. 9709

Why so large cost, having so short a lease

Eleanor Fortescue-Brickdale, 1920

oilRomanticismillustrationfigurebuildinggraveyardarchitecturefoliagehistorical
experienced study

Recreating this painting will help students develop skills in rendering complex textures like stone and fabric, as well as practice creating a sense of depth through atmospheric perspective and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the figure's placement and the architecture.

  2. step 02

    Establish the basic color blocks for the background, including the building, gravestones, and ground.

  3. step 03

    Begin layering colors to create the texture of the stone and the variations in the foliage.

  4. step 04

    Start defining the figure's clothing with light washes, gradually building up the details and shadows.

  5. step 05

    Carefully render the face and hair, paying attention to the subtle shifts in tone and color.

  6. step 06

    Add the details of the hat, scarf, and cane, using fine brushstrokes to capture the textures.

  7. step 07

    Refine the overall composition by adjusting the values and adding highlights where needed.

  8. step 08

    Add final details and touch-ups to complete the painting.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · alizarin crimson · purple · sap green

Mix various shades of gray and brown for the stone architecture and gravestones. Use glazes of blue and green to create atmospheric perspective. Mix crimson and blue for the purple scarf.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering fabric
  • ·color layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated, resulting in a flat or unrealistic appearance.
  • →Ignoring the subtle color shifts that create depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·soft cloths
  • ·palette knife

optional

  • ·retouch varnish
  • ·easel
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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