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home·artworks·Whitlingham, Norfolk
Whitlingham, Norfolk by Frederick Sandys

plate no. 3594

Whitlingham, Norfolk

Frederick Sandys, 1860

oil, canvasRomanticismlandscapelandscaperivertreesskyfiguresboats
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth and mood. It also provides practice in rendering reflections in water and depicting foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm underpainting of yellow ochre.

  2. step 02

    Sketch the basic composition, including the horizon line, major landforms, and placement of figures and boats.

  3. step 03

    Block in the sky with a gradient of blues and yellows, blending smoothly.

  4. step 04

    Establish the dark masses of the trees and foliage, paying attention to the overall shapes.

  5. step 05

    Add the water, reflecting the sky and landforms, using horizontal brushstrokes.

  6. step 06

    Introduce details to the trees, foliage, and figures, layering colors and values.

  7. step 07

    Refine the reflections in the water, adding subtle variations in color and tone.

  8. step 08

    Add final highlights and details to create depth and interest.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · raw sienna

Achieve the sky colors by mixing blues and yellows with white. Create the greens by mixing blues and yellows, and adjust with burnt umber for darker shades. Use red and burnt umber for the sunset glow.

techniques

  • ·Atmospheric perspective
  • ·Color blending
  • ·Layering
  • ·Rendering reflections
  • ·Dry brushing

common pitfalls

  • →Overworking the details too early
  • →Creating too much contrast in the reflections
  • →Using too much pure color without mixing
  • →Ignoring the atmospheric perspective, making distant objects too sharp

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x36
  • ·Oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium red, viridian green, raw sienna)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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