apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·White Birch
White Birch by Maxfield Parrish

plate no. 9097

White Birch

Maxfield Parrish, 1929

oilRomanticismlandscapeskytreelandscapefigurehorseshill
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create depth and form. They will also learn to depict realistic tree bark texture and the human figure within a landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, hill, figures, and horizon line.

  2. step 02

    Block in the sky with a gradient of blues, lighter towards the horizon.

  3. step 03

    Establish the base colors for the hill and foreground, using earth tones.

  4. step 04

    Paint the birch tree trunk with white and gray, adding details to the bark.

  5. step 05

    Add the branches of the tree, using thin lines and varying the thickness.

  6. step 06

    Paint the figures and horses in the background, paying attention to their relative size and placement.

  7. step 07

    Refine the details of the hill and foreground, adding shadows and highlights to create texture.

  8. step 08

    Add final details and highlights to the entire painting, ensuring a cohesive and balanced composition.

color palette

primary · cerulean blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix blues and white for the sky, adding a touch of yellow ochre near the horizon. Use raw umber, yellow ochre, and burnt sienna for the earth tones, mixing in white for highlights and ivory black for shadows. Create the birch bark by mixing white with small amounts of raw umber and ivory black.

techniques

  • ·color blending
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Using too much pure white, which can make the painting look stark.
  • →Neglecting the subtle color variations in the sky and foreground.
  • →Making the tree branches too uniform or symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·cerulean blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke