apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Whitby Abbey
Whitby Abbey by Frederick George Cotman

plate no. 8919

Whitby Abbey

Frederick George Cotman, 1872

oilRomanticismlandscapeabbeyruinsskygrasssunsetlandscape
some experience helpful

Recreating this painting will help students develop skills in watercolor washes, atmospheric perspective, and capturing the texture of old stone. It also encourages observation of subtle color variations in natural light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the abbey and the hill.

  2. step 02

    Apply a light wash of diluted yellow and pink for the sky, allowing colors to blend.

  3. step 03

    Add a light green wash for the hill, varying the intensity for depth.

  4. step 04

    Mix a neutral gray-brown for the abbey and apply a thin wash, leaving some areas lighter.

  5. step 05

    Layer darker shades of brown and gray to define the abbey's structure and details.

  6. step 06

    Use dry brush technique to add texture to the stone and grass.

  7. step 07

    Add final details like windows and architectural features with a fine brush.

  8. step 08

    Glaze with diluted colors to unify the painting and adjust values.

color palette

primary · yellow ochre · alizarin crimson · cerulean blue

secondary · burnt umber · raw sienna · sap green

Mix the abbey's stone color by combining burnt umber, cerulean blue, and a touch of alizarin crimson. Achieve the sky's sunset hues by layering diluted washes of yellow ochre and alizarin crimson.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·watercolor washes
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details of the abbey too early.
  • →Using colors straight from the tube without diluting them.
  • →Making the sky too saturated and overpowering.
  • →Losing the sense of depth and atmosphere.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Masking tape

optional

  • ·palette knife
  • ·masking fluid
  • ·spray bottle

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke