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home·artworks·Whistler in his studio
Whistler in his studio by James McNeill Whistler

plate no. 6852

Whistler in his studio

James McNeill Whistler, 1865

oil, boardImpressionismgenre paintingfiguresinteriorstudiomirrorartistpainting
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle color variations to create a sense of depth and mood. It also provides practice in rendering figures with loose brushwork and simplified details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to their placement and proportions.

  2. step 02

    Block in the background with a thin wash of blue and green, establishing the overall tone.

  3. step 03

    Add the larger shapes of the figures, using a limited palette of yellow, white, and blue.

  4. step 04

    Start building up the details of the figures, using small brushstrokes to suggest form and texture.

  5. step 05

    Add the details of the studio interior, such as the mirror and the shelves, using a similar loose style.

  6. step 06

    Refine the values and colors, paying attention to the subtle shifts in tone.

  7. step 07

    Add final highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Soften edges and blend colors to create an atmospheric effect.

color palette

primary · Prussian blue · Titanium white · Yellow ochre

secondary · Burnt umber · Raw sienna

Achieve the muted tones by mixing the primary colors with small amounts of burnt umber. Use white to lighten the colors and create subtle variations.

techniques

  • ·Dry brushing
  • ·Scumbling
  • ·Glazing
  • ·Limited palette
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using too much color and creating a garish effect.
  • →Failing to capture the subtle shifts in value and tone.
  • →Not blending the colors enough, resulting in a choppy appearance.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (Prussian blue, Titanium white, Yellow ochre, Burnt umber, Raw sienna)
  • ·Round brushes (various sizes)
  • ·Palette knife
  • ·Palette
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use a medium-grain canvas to allow for the loose brushwork. Consider using a toned canvas to establish the overall tone of the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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