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home·artworks·Wherries on the Yare
Wherries on the Yare by John Crome

plate no. 4599

Wherries on the Yare

John Crome

oilRomanticismlandscaperivertreesboatskycloudslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle reflections in water. It also provides practice in rendering complex foliage with varying light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and the placement of the boat and trees.

  2. step 02

    Establish the sky with a thin wash of blues and grays, blending the colors to create soft clouds.

  3. step 03

    Block in the large shapes of the trees and foliage with dark greens and browns, paying attention to the overall form.

  4. step 04

    Add the water, using horizontal strokes and varying shades of blue and gray to create depth and reflections.

  5. step 05

    Paint the boat and its reflection, using a warm yellow-brown for the sail and darker tones for the hull.

  6. step 06

    Develop the foliage with layers of greens, yellows, and browns, adding highlights and shadows to create texture and dimension.

  7. step 07

    Add details to the shoreline and trees, such as branches, leaves, and grasses.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a sense of atmosphere and depth.

color palette

primary · Prussian Blue · Yellow Ochre · Burnt Umber · Titanium White

secondary · Cadmium Yellow · Raw Sienna · Payne's Gray

Mix greens by combining Prussian Blue and Yellow Ochre. Use white to lighten values and Payne's Gray to darken them. Create atmospheric perspective by adding white to colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much bright color and failing to create a sense of depth.
  • →Making the reflections too perfect and unnatural.
  • →Not paying attention to the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian Blue, Yellow Ochre, Burnt Umber, Titanium White, Cadmium Yellow, Raw Sienna, Payne's Gray)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before beginning.

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oil painting for beginners →how to learn by studying the masters →
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