apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·When Icicles Hang by the Wall, and Dick the Shepherd Blows His Nail
When Icicles Hang by the Wall, and Dick the Shepherd Blows His Nail by Edward Robert Hughes

plate no. 4568

When Icicles Hang by the Wall, and Dick the Shepherd Blows His Nail

Edward Robert Hughes

oilRomanticismportraitboydogwallwintersnowshepherd
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and fabric textures, as well as understanding atmospheric perspective in a winter landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the boy, the dog, the wall, and the background elements.

  2. step 02

    Establish the basic color blocks for each area, focusing on the overall values.

  3. step 03

    Begin layering in the skin tones of the boy, paying attention to subtle color variations in the face and hands.

  4. step 04

    Develop the details of the clothing, using thin washes to create the folds and textures.

  5. step 05

    Paint the dog, focusing on capturing the texture of its fur with short, broken brushstrokes.

  6. step 06

    Add details to the stone wall, using a variety of grays and browns to create depth and texture.

  7. step 07

    Paint the background landscape, using lighter values and softer edges to create a sense of distance.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · Prussian Blue · Titanium White · Yellow Ochre · Burnt Umber

secondary · Cadmium Red Light · Raw Sienna · Payne's Gray

Mix various shades of gray and blue for the boy's clothing and the stone wall. Use red and yellow to create the skin tones, and add white to lighten the values.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Not paying attention to the subtle color variations in the skin tones.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Retarder medium
  • ·Varnish
  • ·Easel

Use high-quality paints for best results. Consider using a toned canvas to make the colors more vibrant.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke