apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Westermarket in Amsterdam
Westermarket in Amsterdam by Cornelis Springer

plate no. 9175

Westermarket in Amsterdam

Cornelis Springer

oilRomanticismcityscapebuildingsstreetfiguresskytreesmarket
some experience helpful

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering architectural details with light and shadow. It also provides practice in depicting figures in a believable environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the main areas of color: sky, buildings, and ground.

  4. step 04

    Begin adding details to the buildings, focusing on windows, brickwork, and architectural features.

  5. step 05

    Establish the light source and add shadows to create depth and dimension.

  6. step 06

    Paint the figures, starting with general shapes and then adding details.

  7. step 07

    Add atmospheric perspective by making distant objects lighter and less detailed.

  8. step 08

    Refine details and add highlights to complete the painting.

color palette

primary · burnt sienna · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red light · ivory black

Achieve the warm brick tones by mixing burnt sienna with small amounts of cadmium red and yellow ochre. Create atmospheric perspective by adding white and blue to the base colors for distant objects.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Incorrect perspective can ruin the sense of depth.
  • →Overworking details too early in the process.
  • →Failing to create a sense of atmosphere by not adjusting colors for distance.
  • →Making the figures too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a medium-tooth canvas to allow for both detail and texture. Consider using a toned canvas (e.g., raw umber wash) to establish a base tone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke