apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·West Highland Ponies
West Highland Ponies by William Shiels

plate no. 6984

West Highland Ponies

William Shiels

oilRomanticismanimal paintinghorseslandscapemountainsskyanimals
some experience helpful

Recreating this painting will help students develop skills in animal anatomy, color mixing to achieve realistic skin tones, and creating atmospheric perspective in landscapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the horses and the landscape.

  2. step 02

    Establish the horizon line and the main areas of light and shadow.

  3. step 03

    Block in the main colors of the sky, mountains, and ground.

  4. step 04

    Begin layering colors on the horses, paying attention to muscle structure and highlights.

  5. step 05

    Add details to the landscape, such as rocks and vegetation.

  6. step 06

    Refine the details of the horses' faces and manes.

  7. step 07

    Add the basket on the white horse.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · cadmium yellow

Mix burnt umber and white for the gray horse. Use raw sienna and burnt umber for the brown horses, adding white for highlights. Mix ultramarine blue and white for the sky.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the horses.
  • →Muddy or unrealistic skin tones.
  • →Lack of depth in the landscape.
  • →Overworking the details.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, yellow ochre, ultramarine blue)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke