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home·artworks·Weeshuis in Kampen
Weeshuis in Kampen by Cornelis Springer

plate no. 3618

Weeshuis in Kampen

Cornelis Springer

oilRomanticismcityscapebuildingswaterfiguresskyboatswindmill
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with subtle color variations. It also provides practice in depicting figures in a believable environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings, water, and the horizon line.

  2. step 02

    Establish the main value structure, blocking in the dark and light areas of the buildings and sky.

  3. step 03

    Begin painting the sky, blending colors to create a soft, atmospheric effect.

  4. step 04

    Paint the distant windmill and bridge, using lighter values to suggest distance.

  5. step 05

    Develop the buildings, paying attention to the details of the architecture and the play of light and shadow.

  6. step 06

    Add the figures and boats, using small brushstrokes to create a sense of movement.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers to unify the painting and adjust colors as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing earth tones with white and small amounts of blue or crimson. Use glazes of thinned colors to create depth and luminosity.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the perspective wrong on the buildings.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright and saturated.
  • →Failing to create a sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

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