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home·artworks·Watering
Watering by Laszlo Mednyanszky

plate no. 8842

Watering

Laszlo Mednyanszky, 1880

oilImpressionismlandscapecowswaterlandscapeskytreesfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing subtle tonal variations to create a sense of depth and mood. It also provides practice in depicting reflections in water and rendering animal forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a neutral grey or brown.

  2. step 02

    Sketch the basic composition, indicating the horizon line, the placement of the cows, the figure, and the distant buildings and trees.

  3. step 03

    Block in the sky with a light, hazy grey, blending it softly towards the horizon.

  4. step 04

    Establish the water area with a darker, muted grey, paying attention to the reflections of the cows and the sky.

  5. step 05

    Paint the cows, using a range of browns, whites, and blacks, and indicating their forms with loose brushstrokes.

  6. step 06

    Add the figure and the distant buildings and trees, using darker tones and less detail to create a sense of distance.

  7. step 07

    Refine the reflections in the water, adding subtle variations in tone and color.

  8. step 08

    Add final details, such as the birds in the sky and the texture of the ground.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing the primary colors with each other and with white. Use small amounts of yellow ochre or burnt sienna to warm up the greys.

techniques

  • ·tonal painting
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·rendering reflections

common pitfalls

  • →Overworking the details, which can detract from the overall impressionistic effect.
  • →Creating too much contrast, which can make the painting look harsh.
  • →Failing to capture the subtle tonal variations in the sky and water.
  • →Making the reflections too literal and symmetrical.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

A pre-toned canvas will save time and help to establish the overall mood of the painting. Use a limited palette to create a sense of harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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