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home·artworks·Waterfront, Bandol
Waterfront, Bandol by Rupert Bunny

plate no. 0210

Waterfront, Bandol

Rupert Bunny, 1929

oilImpressionismlandscapewaterboatsbuildingstreesskylandscape
suitable for beginners

This painting offers a good opportunity to practice color mixing for subtle variations in light and shadow, as well as creating reflections on water. Students can also develop their skills in depicting architectural forms and foliage with simplified shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, mountains, and boats, paying attention to proportions.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the sky with a light blue-gray wash.

  4. step 04

    Apply the base colors for the buildings, water, and land, using thin layers of paint.

  5. step 05

    Start adding details to the buildings, such as windows and roof tiles, using darker and lighter shades of the base colors.

  6. step 06

    Create reflections in the water by mirroring the colors of the buildings and boats, using horizontal brushstrokes.

  7. step 07

    Add highlights and shadows to the boats and water to create depth and dimension.

  8. step 08

    Refine the details and add final touches, such as the trees and foliage.

color palette

primary · titanium white · yellow ochre · cerulean blue · burnt sienna

secondary · sap green · cadmium red light · ultramarine blue

Mix white with yellow ochre and a touch of burnt sienna to create the warm tones of the buildings. Use cerulean blue and white for the sky, adding a touch of ultramarine for darker areas. Mix burnt sienna and cadmium red light for the roof tiles.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·color mixing for reflections
  • ·simplified forms

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating overly symmetrical reflections.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes sizes 2, 4, and 6
  • ·flat brush size 8
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a limited palette to simplify color mixing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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