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home·artworks·Waterfall in Småland
Waterfall in Småland by Marcus Larson

plate no. 9632

Waterfall in Småland

Marcus Larson, 1856

oilRomanticismlandscapewaterfalltreesrocksskycloudslandscape
some experience helpful

Recreating this painting will help students develop skills in rendering realistic water movement and creating depth through atmospheric perspective. It also provides practice in depicting complex textures of rocks and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, rocks, and trees.

  2. step 02

    Establish the sky and cloud formations with broad strokes, paying attention to the light and shadow.

  3. step 03

    Block in the general colors of the landscape, including the trees, rocks, and water.

  4. step 04

    Begin to define the shapes and textures of the rocks, using a variety of brushstrokes.

  5. step 05

    Focus on rendering the movement of the water, using highlights and shadows to create the illusion of flow.

  6. step 06

    Add details to the trees and foliage, paying attention to the variations in color and texture.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · viridian green · cadmium red · ivory black

Mix various shades of brown and gray for the rocks and trees. Use white to lighten blues and greens for the sky and water. Mix greens with yellow ochre and burnt umber for natural foliage tones.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·wet-on-dry blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Creating flat, lifeless water by not varying the brushstrokes.
  • →Ignoring the importance of atmospheric perspective in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, viridian green, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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