apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Water Lilies
Water Lilies by Wilhelm Kotarbinski

plate no. 4342

Water Lilies

Wilhelm Kotarbinski

oilArt Nouveau (Modern)landscapewater lilieswaterlandscapeplantsrockssky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how light interacts with water and foliage. It also provides practice in rendering organic shapes and capturing subtle color variations in nature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the water lilies, rocks, and horizon line.

  2. step 02

    Block in the large shapes of the rocks and water with thin washes of color, establishing the overall value structure.

  3. step 03

    Begin layering colors on the rocks, using browns, ochres, and umbers to create texture and form.

  4. step 04

    Paint the water, blending blues, greens, and grays to create a sense of depth and reflection.

  5. step 05

    Add the water lilies, starting with the darkest shadows and gradually building up to the highlights.

  6. step 06

    Refine the details of the lily pads and stems, paying attention to their shapes and textures.

  7. step 07

    Add subtle highlights and reflections to the water to enhance the sense of realism.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · burnt umber · titanium white · cerulean blue

secondary · yellow ochre · sap green · raw sienna

Achieve the muted greens by mixing blue, yellow, and a touch of brown. Create the rock colors by blending umber, sienna, and ochre with varying amounts of white.

techniques

  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois