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home·artworks·Water Basin at Versailles
Water Basin at Versailles by Richard Parkes Bonington

plate no. 9686

Water Basin at Versailles

Richard Parkes Bonington, 1826

oil, canvasRomanticismlandscapeskycloudsfigureslandscapearchitecturewater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork to capture the mood and light of the scene. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and placement of key elements.

  2. step 02

    Block in the sky with broad strokes, focusing on the overall color and value relationships.

  3. step 03

    Establish the horizon line and the general shapes of the landscape elements.

  4. step 04

    Add the architectural elements, simplifying their forms and focusing on their relationship to the surrounding space.

  5. step 05

    Introduce the figures, using quick, gestural strokes to suggest their forms and actions.

  6. step 06

    Refine the details of the sky, adding subtle variations in color and value to create depth and atmosphere.

  7. step 07

    Add highlights and shadows to the landscape and figures to create a sense of form and volume.

  8. step 08

    Make final adjustments to the overall composition, ensuring that all elements work together to create a unified and harmonious image.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre · cadmium red

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create atmospheric effects. Add small amounts of blue to create cooler tones for the sky and distant landscape.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·dry brush texture
  • ·atmospheric perspective
  • ·gestural brushwork

common pitfalls

  • →Overworking the details
  • →Creating too much contrast
  • →Not establishing a clear focal point
  • →Using colors straight from the tube without mixing
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil to create a smoother consistency.

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oil painting for beginners →how to learn by studying the masters →
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