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home·artworks·Washoe Wickiup
Washoe Wickiup by Maynard Dixon

plate no. 3095

Washoe Wickiup

Maynard Dixon, 1919

oilImpressionismlandscapedesertmountainsskycloudscactivegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of depth and texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with broad strokes, capturing the light and shadow variations in the clouds.

  3. step 03

    Establish the distant mountains with a muted blue tone, creating atmospheric perspective.

  4. step 04

    Begin layering the foreground desert landscape with warm earth tones, varying the hues and values.

  5. step 05

    Add the cacti and desert vegetation, using vertical strokes for the cacti and broken color for the bushes.

  6. step 06

    Refine the details of the rock formations on the left side, paying attention to light and shadow.

  7. step 07

    Add highlights to the vegetation and rocks to create a sense of depth and dimension.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · titanium white · sap green · cadmium yellow

Mix blues and whites for the sky, varying the proportions for different cloud tones. Use burnt sienna and yellow ochre for the desert floor, adding white for highlights and ultramarine for shadows. Mix greens with yellows and blues for the vegetation, muting the colors with burnt sienna.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring atmospheric perspective, making the distant mountains too vibrant.
  • →Creating overly uniform brushstrokes, lacking texture and variation.
  • →Failing to establish a clear light source, resulting in a flat composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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