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home·artworks·Washington's entry into New York
Washington's entry into New York by Currier and Ives

plate no. 7778

Washington's entry into New York

Currier and Ives, 1783

oilRomanticismhistory paintingfigureshorsesbuildingsflagscrowdhistorical event
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating a sense of depth through layering and atmospheric perspective. It also provides practice in rendering fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and buildings.

  2. step 02

    Block in the main shapes and colors of the background buildings and sky.

  3. step 03

    Establish the basic forms of the horses and figures, paying attention to proportions and anatomy.

  4. step 04

    Start adding details to the figures, including clothing, faces, and hands.

  5. step 05

    Refine the details of the horses, including the tack and musculature.

  6. step 06

    Add details to the background elements, such as flags and architectural details.

  7. step 07

    Work on the foreground details, including the ground and any figures in the immediate foreground.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · Prussian blue · Cadmium yellow · Titanium white · Burnt umber

secondary · Crimson · Payne's gray · Yellow Ochre

Mix various shades of blue and gray for the uniforms and sky. Use white to lighten colors and create highlights. Mix burnt umber with blue and yellow to create earth tones for the ground and buildings.

techniques

  • ·Figure drawing
  • ·Atmospheric perspective
  • ·Layering
  • ·Color mixing
  • ·Rendering fabrics

common pitfalls

  • →Incorrect proportions of figures and horses
  • →Flat or lifeless colors
  • →Lack of depth and dimension
  • →Overworking details too early
  • →Ignoring the overall composition

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·Acrylic or oil paints (Prussian blue, Cadmium yellow, Titanium white, Burnt umber, Crimson, Payne's gray, Yellow Ochre)
  • ·Palette
  • ·Linseed oil or acrylic medium

optional

  • ·Palette knife
  • ·Easel
  • ·Reference photos of horses and historical clothing

Use a medium-grain canvas for best results. Consider using a toned canvas to create a more unified color palette.

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