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home·artworks·Washing Day, Kallista
Washing Day, Kallista by Tom Roberts

plate no. 4666

Washing Day, Kallista

Tom Roberts, 1925

oilImpressionismlandscapetreeslandscapehillsfoliageskylight
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the effects of light filtering through trees. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint.

  3. step 03

    Block in the major shapes of the trees, hills, and sky, using broad brushstrokes.

  4. step 04

    Begin layering colors to create depth and texture in the foliage and ground.

  5. step 05

    Add highlights and shadows to define the forms and create a sense of light.

  6. step 06

    Refine the details of the trees and foliage, using smaller brushstrokes.

  7. step 07

    Add the finishing touches, such as the suggestion of distant hills and the details in the foreground.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt umber

secondary · sap green · raw sienna · cadmium yellow light

Mix greens by combining yellow ochre and ultramarine blue. Create variations in the foliage by adding small amounts of burnt umber or raw sienna. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much paint and creating a muddy effect.
  • →Failing to establish a clear value structure.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

A canvas with a medium texture will work well for this painting. Use a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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