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home·artworks·Washerwomen of La Varenne, France
Washerwomen of La Varenne, France by Martín Rico y Ortega

plate no. 9402

Washerwomen of La Varenne, France

Martín Rico y Ortega, 1865

oil, canvasImpressionismlandscaperivertreesskycloudsfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in depicting figures in a landscape setting with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements (river, trees, buildings).

  2. step 02

    Establish the sky with broad strokes of light blue and white, blending the colors softly.

  3. step 03

    Block in the distant landscape with muted greens and browns, using lighter values for areas further away.

  4. step 04

    Paint the river using horizontal strokes, capturing the reflections of the sky and landscape.

  5. step 05

    Add the trees and foliage, varying the greens and using darker values in the shadows.

  6. step 06

    Roughly sketch in the figures of the washerwomen, focusing on their general shapes and positions.

  7. step 07

    Add details to the figures, such as clothing and headscarves, using small brushstrokes.

  8. step 08

    Refine the details and add highlights to create depth and dimension.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · sap green · cadmium red · raw sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to create a sense of depth and distance.
  • →Making the colors too saturated and bright.
  • →Neglecting the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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