apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Wanderer in the Storm
Wanderer in the Storm by Carl Julius von Leypold

plate no. 3322

Wanderer in the Storm

Carl Julius von Leypold, 1835

oil, canvasRomanticismlandscapelandscapetreesfigurewallskywater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures like stone and foliage. It also provides practice in creating a focal point through value contrast and composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line, the tree, the wall, and the figure.

  2. step 02

    Establish the sky with broad, blended strokes of gray and blue, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the tree and the wall, using a limited palette of browns and grays.

  4. step 04

    Add details to the tree, focusing on the intricate network of branches and twigs.

  5. step 05

    Develop the texture of the wall by layering different shades of brown and gray, creating the illusion of individual stones.

  6. step 06

    Paint the figure with simple shapes and colors, suggesting movement and form.

  7. step 07

    Add details to the foreground, including the path, grass, and water, using a variety of brushstrokes to create texture.

  8. step 08

    Refine the overall composition by adjusting values and adding highlights and shadows.

color palette

primary · raw umber · titanium white · payne's gray

secondary · burnt sienna · yellow ochre · ultramarine blue

Achieve the muted tones by mixing complementary colors and using white to adjust values. Create atmospheric perspective by adding more blue to distant objects.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·blending

common pitfalls

  • →Overworking details too early
  • →Ignoring value relationships
  • →Using colors that are too saturated
  • →Neglecting atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke