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home·artworks·Walking in the Hills
Walking in the Hills by Edward Henry Potthast

plate no. 9533

Walking in the Hills

Edward Henry Potthast

oilImpressionismgenre paintingfigureslandscapedresseshatshillsfield
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and capturing light and shadow on fabric. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the landscape.

  2. step 02

    Establish the background with broad strokes of color, blending the hills, sky, and water.

  3. step 03

    Block in the main shapes of the figures, paying attention to the folds and drapery of the dresses.

  4. step 04

    Begin adding details to the dresses, using short, broken brushstrokes to create the impression of light and texture.

  5. step 05

    Define the facial features and hats, using subtle color variations to create form.

  6. step 06

    Paint the foreground, using a variety of greens, yellows, and browns to depict the grassy field.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a harmonious and impressionistic effect.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · alizarin crimson · viridian green · burnt sienna

Mix white with small amounts of other colors to create the light, airy tones of the dresses. Use a combination of blues and greens for the landscape, and add touches of red and yellow for warmth.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic effect.
  • →Using too much paint and creating a muddy appearance.
  • →Failing to capture the subtle color variations in the dresses.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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