plate no. 8233
Waiting
Marcus Stone, 1921
some experience helpful
Recreating this painting will help students develop skills in rendering realistic figures in a landscape setting and understanding how to create depth through atmospheric perspective and color temperature.
technical profile
palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3
study guide
est. 20 hrsapproach — 8 steps
- step 01
Sketch the basic composition, focusing on the placement of the figure and the main elements of the landscape.
- step 02
Establish the overall color scheme by blocking in the large areas of color, such as the sky, trees, wall, and dress.
- step 03
Begin refining the details of the figure, paying attention to the folds of the dress and the facial features.
- step 04
Add details to the foliage, using a variety of greens and browns to create depth and texture.
- step 05
Work on the brick wall, capturing the texture and color variations of the bricks.
- step 06
Develop the background landscape, using soft, blended brushstrokes to create a sense of distance.
- step 07
Add highlights and shadows to create form and dimension.
- step 08
Refine the details and make any necessary adjustments to the composition.
color palette
primary · viridian green · burnt umber · titanium white
secondary · yellow ochre · cadmium red light · ultramarine blue
Mix greens by combining viridian green with yellow ochre or burnt umber. Create muted tones by adding a touch of complementary color.
techniques
- ·blending
- ·layering
- ·atmospheric perspective
- ·color temperature
- ·rendering fabric
common pitfalls
- →Overworking the details, resulting in a stiff and unnatural appearance.
- →Failing to create a sense of depth and atmosphere.
- →Using too much detail in the background.
- →Incorrect proportions of the figure.
materials
surface · stretched canvas
required
- ·stretched canvas 18x24
- ·oil paints
- ·round brushes (sizes 2, 4, 6)
- ·flat brushes (sizes 4, 8)
- ·palette
- ·linseed oil
- ·odorless mineral spirits
- ·palette knife
optional
- ·painting medium
- ·retouch varnish
- ·easel
Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can help establish a warm undertone.
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