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home·artworks·Vue De Venise
Vue De Venise by Maurice Bompard

plate no. 6368

Vue De Venise

Maurice Bompard

oilImpressionismcityscapecanalbuildingswaterarchitecturereflectionboat
some experience helpful

Recreating this painting will help students develop skills in capturing reflections in water and understanding atmospheric perspective to create depth. It also provides practice in rendering architectural details with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings, tower, bridge, and canal.

  2. step 02

    Block in the sky with a light blue, adding hints of pink for the clouds.

  3. step 03

    Establish the basic colors of the buildings, using a mix of warm and cool tones.

  4. step 04

    Paint the reflections in the water, using vertical strokes and slightly desaturated versions of the building colors.

  5. step 05

    Add details to the buildings, such as windows, columns, and architectural features, using small brushstrokes.

  6. step 06

    Paint the boat and figures in the canal, keeping them simple and suggestive.

  7. step 07

    Refine the reflections, adding highlights and shadows to create a sense of depth.

  8. step 08

    Add final touches, such as highlights on the water and details on the buildings.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red · viridian green

Mix burnt sienna and ultramarine blue for the darker tones in the water and buildings. Use titanium white to lighten colors and create highlights. Mix yellow ochre with burnt sienna for the warm tones in the buildings.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the reflections too literal and not capturing the movement of the water.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated and not capturing the atmospheric haze.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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