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home·artworks·Vue de Stalheim
Vue de Stalheim by Johan Christian Dahl

plate no. 5485

Vue de Stalheim

Johan Christian Dahl, 1842

oil, canvasRomanticismlandscapemountainslandscaperainbowtreesvillagefigures
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering complex textures of mountains and foliage. It also provides practice in creating a sense of depth and scale within a landscape composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main shapes of the mountains, valley, and foreground elements.

  2. step 02

    Block in the sky and the rainbow using thin washes of color.

  3. step 03

    Establish the basic value structure of the mountains, paying attention to light and shadow.

  4. step 04

    Start building up the layers of color and texture in the mountains, using a variety of brushstrokes.

  5. step 05

    Paint the mid-ground valley with its fields, trees, and buildings, focusing on atmospheric perspective.

  6. step 06

    Add details to the foreground, including rocks, foliage, and figures.

  7. step 07

    Refine the details and adjust the overall color balance.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · ultramarine blue · burnt sienna · yellow ochre

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the mountain colors by mixing burnt sienna, ultramarine blue, and white. Use yellow ochre and cadmium yellow for the sunlit areas of the valley. Mix alizarin crimson, cadmium yellow, and white for the rainbow.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·color layering

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Ignoring the effects of atmospheric perspective, making the distant elements appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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