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home·artworks·Vitellius Dragged Through The Streets Of Rome By The Populace
Vitellius Dragged Through The Streets Of Rome By The Populace by Georges Rochegrosse

plate no. 7842

Vitellius Dragged Through The Streets Of Rome By The Populace

Georges Rochegrosse, 1883

oilArt Nouveau (Modern)history paintingcrowdfiguresstreetbuildinghistorical eventviolence
advanced study

Recreating this painting will help students develop skills in figure drawing, complex composition, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering textures and capturing dramatic lighting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background elements, focusing on creating depth through color and value changes.

  4. step 04

    Start building up the figures, paying attention to anatomy and proportions.

  5. step 05

    Refine the details of the clothing, faces, and other key elements.

  6. step 06

    Add highlights and shadows to create a sense of volume and form.

  7. step 07

    Incorporate texture using various brushstrokes and techniques.

  8. step 08

    Add final details and adjustments to unify the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and white, with touches of red for warmth. Use ultramarine blue and burnt umber to create dark shadows and muted tones.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the importance of color temperature
  • →Overworking the painting

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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