apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Visiting the New Mother
Visiting the New Mother by Domenico Induno

plate no. 6904

Visiting the New Mother

Domenico Induno, 1875

oil, canvasRomanticismgenre paintingfiguresinteriorclothingvaselandscapepainting
experienced study

Recreating this painting will help students develop skills in capturing light and shadow on figures and drapery, as well as creating atmospheric perspective in the background.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the basic composition, paying attention to proportions.

  2. step 02

    Block in the main areas of color, focusing on the overall values and relationships.

  3. step 03

    Develop the background landscape, using soft, blended brushstrokes to create a sense of depth.

  4. step 04

    Refine the figures, adding details to the faces, clothing, and accessories.

  5. step 05

    Pay close attention to the light and shadow on the drapery, using highlights and shadows to create form.

  6. step 06

    Add details to the vase and other objects in the interior.

  7. step 07

    Glaze thin layers of color to enrich the tones and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre

Mix various shades of blue and brown to create the dark tones in the clothing and interior. Use white to lighten the colors and create highlights. Mix red and white to create the pink tones in the dress.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Failing to capture the subtle variations in color and value.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke