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home·artworks·Vision of St. Augustine
Vision of St. Augustine by Vittore Carpaccio

plate no. 4720

Vision of St. Augustine

Vittore Carpaccio, 1507

oil, canvasHigh Renaissancereligious paintinginteriorfigurebooksarchitecturecatreligious
experienced study

Recreating this painting will help students develop skills in perspective, rendering complex architectural details, and capturing subtle color variations to create depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a detailed line drawing, paying close attention to perspective and proportions.

  2. step 02

    Block in the main areas of color, starting with the background and largest shapes.

  3. step 03

    Develop the architectural details, focusing on accurate rendering of the lines and shapes.

  4. step 04

    Paint the figure of St. Augustine, paying attention to the folds of his robe and the details of his face.

  5. step 05

    Add the books and other objects on the table, focusing on their shapes and textures.

  6. step 06

    Paint the cat, paying attention to its fur and pose.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · red ochre · ivory black · yellow ochre

Achieve the muted tones by mixing earth pigments with white and small amounts of black. Use thin glazes to build up color and create depth.

techniques

  • ·linear perspective
  • ·glazing
  • ·underpainting
  • ·scumbling

common pitfalls

  • →Inaccurate perspective can ruin the illusion of depth.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Using too much color can detract from the overall harmony of the painting.
  • →Ignoring the subtle color variations can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, red ochre, ivory black, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·medium alkyd

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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