apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Virgin with a Child, St. John and an angel (Madonna del Sacco)
Virgin with a Child, St. John and an angel (Madonna del Sacco) by Pietro Perugino

plate no. 0443

Virgin with a Child, St. John and an angel (Madonna del Sacco)

Pietro Perugino, 1500

oilHigh Renaissancereligious paintingfiguresreligiouslandscapeangelchildvirgin
some experience helpful

Recreating this painting will help students develop skills in blending skin tones, creating soft gradients, and understanding classical composition. It also provides practice in rendering drapery and subtle facial expressions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone brown or gray.

  2. step 02

    Lightly sketch the main figures and landscape elements, paying attention to proportions and placement.

  3. step 03

    Block in the main color areas: the sky, the figures' clothing, and the skin tones.

  4. step 04

    Begin layering and blending the skin tones, focusing on subtle shifts in value and hue.

  5. step 05

    Develop the drapery folds and shadows in the clothing, using thin glazes of color.

  6. step 06

    Add details to the landscape, such as trees and distant buildings.

  7. step 07

    Refine the facial features and expressions of the figures.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · raw umber · burnt sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue mixed with black and a touch of red for the dark blue robe. Create the background greens by mixing blue, yellow, and a touch of brown.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or flat appearance.
  • →Failing to capture the subtle nuances of the facial expressions.
  • →Creating harsh lines or edges, rather than soft transitions.
  • →Ignoring the importance of atmospheric perspective in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael