apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Virgin with a Child
Virgin with a Child by Francesco de' Rossi (Francesco Salviati), "Cecchino"

plate no. 4006

Virgin with a Child

Francesco de' Rossi (Francesco Salviati), "Cecchino"

oilMannerism (Late Renaissance)religious paintingfiguresreligiousmotherchilddraperyportrait
experienced study

Recreating this painting will help students develop skills in figure drawing, blending skin tones, and rendering drapery with light and shadow. It also provides practice in capturing subtle emotional expressions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin layering colors to build up the skin tones, focusing on subtle variations in hue and value.

  4. step 04

    Define the drapery folds with careful attention to light and shadow.

  5. step 05

    Refine the facial features, paying close attention to the eyes and mouth to capture the emotional expression.

  6. step 06

    Add details such as the hair and jewelry.

  7. step 07

    Glaze over areas to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, raw umber, and burnt sienna, with small amounts of red and yellow ochre for warmth. Use ultramarine blue and ivory black for cool shadows in the drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figures.
  • →Ignoring the subtle variations in skin tone.
  • →Creating overly harsh shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gel
  • ·painting easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti