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home·artworks·Virgin and Child with the Infant St John
Virgin and Child with the Infant St John by Giulio Romano

plate no. 1681

Virgin and Child with the Infant St John

Giulio Romano, 1523

oilMannerism (Late Renaissance)religious paintingfiguresreligiousmotherchildinfantdrapery
experienced study

Recreating this painting will help students develop skills in figure drawing, particularly rendering flesh tones and creating a sense of volume through subtle shading. It also provides practice in capturing complex drapery and creating a dramatic, chiaroscuro effect.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures with a mid-tone.

  4. step 04

    Begin layering lighter tones to build up the highlights on the skin and drapery.

  5. step 05

    Carefully blend the transitions between light and shadow to create a soft, luminous effect.

  6. step 06

    Add details to the faces, hands, and drapery folds.

  7. step 07

    Refine the background, adding subtle variations in tone to create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall contrast.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve the skin tones by mixing white, red, and a touch of yellow ochre. Use raw umber and ivory black for the dark background and shadows. Mix ultramarine blue with white and a touch of yellow ochre to create the blue drapery.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Not blending the transitions between tones smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the value structure.

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