
plate no. 4318
Barbara Longhi, 1595
Recreating this painting will help students develop skills in figure drawing, portraiture, and creating subtle skin tones through layering and blending. It also offers practice in depicting drapery and simple background elements.
technical profile
approach — 8 steps
Lightly sketch the main figures and their relative positions, paying attention to proportions.
Block in the background with a thin wash of green and establish the window shape.
Begin with the underpainting of the skin tones using a mix of earth tones and white.
Layer in the clothing, starting with the darker areas and gradually adding highlights.
Refine the facial features, focusing on accurate placement and subtle shading.
Add details such as the crown, book, and background landscape.
Glaze over the painting with thin layers of color to unify the composition and enhance the depth.
Add final highlights and shadows to create a sense of realism.
color palette
primary · titanium white · raw umber · cadmium red light · viridian
secondary · yellow ochre · ivory black
Skin tones are achieved by mixing white, raw umber, and small amounts of cadmium red. Greens are created by mixing viridian with yellow ochre or white. Use glazes of red and brown to create depth in shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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