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home·artworks·Virgin and Child with Saint
Virgin and Child with Saint by Barbara Longhi

plate no. 4318

Virgin and Child with Saint

Barbara Longhi, 1595

oilMannerism (Late Renaissance)religious paintingfiguresreligiousvirgin marychildsaintcrown
some experience helpful

Recreating this painting will help students develop skills in figure drawing, portraiture, and creating subtle skin tones through layering and blending. It also offers practice in depicting drapery and simple background elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions, paying attention to proportions.

  2. step 02

    Block in the background with a thin wash of green and establish the window shape.

  3. step 03

    Begin with the underpainting of the skin tones using a mix of earth tones and white.

  4. step 04

    Layer in the clothing, starting with the darker areas and gradually adding highlights.

  5. step 05

    Refine the facial features, focusing on accurate placement and subtle shading.

  6. step 06

    Add details such as the crown, book, and background landscape.

  7. step 07

    Glaze over the painting with thin layers of color to unify the composition and enhance the depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · titanium white · raw umber · cadmium red light · viridian

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing white, raw umber, and small amounts of cadmium red. Greens are created by mixing viridian with yellow ochre or white. Use glazes of red and brown to create depth in shadows.

techniques

  • ·figure drawing
  • ·portraiture
  • ·glazing
  • ·blending
  • ·layering

common pitfalls

  • →Inaccurate proportions of figures
  • →Muddy skin tones due to over-mixing
  • →Flatness in drapery due to lack of shading
  • →Overworking details too early in the process

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·viridian oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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