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Virgin and Child by Parmigianino

plate no. 8537

Virgin and Child

Parmigianino, 1527

oil, panelMannerism (Late Renaissance)religious paintingfigurechilddraperyarchitecturelandscapesky
experienced study

Recreating this painting will help students develop skills in figure drawing, particularly the rendering of skin tones and drapery, and understanding of light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the background sky and distant landscape with broad washes of color.

  3. step 03

    Block in the main areas of color for the figures and drapery, focusing on the overall value structure.

  4. step 04

    Start building up layers of color on the figures, paying attention to the subtle shifts in skin tone and the folds of the drapery.

  5. step 05

    Define the architectural details with careful brushstrokes, using light and shadow to create depth.

  6. step 06

    Refine the details of the figures, including the facial features and the hands.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, burnt umber, and a touch of alizarin crimson. Use ultramarine blue and white for the sky, and mix burnt umber with yellow ochre for the drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the overall sense of unity and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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