
plate no. 8537
Parmigianino, 1527
Recreating this painting will help students develop skills in figure drawing, particularly the rendering of skin tones and drapery, and understanding of light and shadow to create form.
technical profile
approach — 8 steps
Begin with a light sketch outlining the main figures and architectural elements.
Establish the background sky and distant landscape with broad washes of color.
Block in the main areas of color for the figures and drapery, focusing on the overall value structure.
Start building up layers of color on the figures, paying attention to the subtle shifts in skin tone and the folds of the drapery.
Define the architectural details with careful brushstrokes, using light and shadow to create depth.
Refine the details of the figures, including the facial features and the hands.
Add highlights and shadows to enhance the three-dimensionality of the forms.
Glaze with thin layers of color to unify the painting and create a sense of atmosphere.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ultramarine blue · yellow ochre · alizarin crimson
Achieve skin tones by mixing white, burnt umber, and a touch of alizarin crimson. Use ultramarine blue and white for the sky, and mix burnt umber with yellow ochre for the drapery.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Apollo and the Muses (Parnassus)
Lavinia Fontana

Portrait Of Don Rodrigo Vasquez
El Greco

Madonna Bolognini
Correggio

The Unhappy Lot of the Rich
Maerten van Heemskerck

Head of a Woman
Orazio Gentileschi

The Deposition
Giorgio Vasari

Portrait of a Man Holding a Letter
Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana
Bartolomeo Passerotti