apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Virgin and Child
Virgin and Child by Hans von Aachen

plate no. 7080

Virgin and Child

Hans von Aachen, 1606

oilMannerism (Late Renaissance)religious paintingfigurereligiouslandscapetreeschildvirgin
some experience helpful

Recreating this painting will help students develop skills in figure painting, drapery rendering, and creating atmospheric perspective in a landscape. Students will also learn about color mixing to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and landscape elements, paying attention to proportions and composition.

  2. step 02

    Block in the main areas of color: the red dress, green cloak, skin tones, and background.

  3. step 03

    Begin refining the figures, focusing on the facial features and anatomical details.

  4. step 04

    Develop the drapery folds in the dress and cloak, using highlights and shadows to create volume.

  5. step 05

    Add details to the background landscape, creating depth with atmospheric perspective.

  6. step 06

    Refine the skin tones, adding subtle variations in color and value.

  7. step 07

    Add final details and highlights to the figures and landscape.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · red · green · brown · flesh tones

secondary · white · yellow ochre · dark umber

Mix flesh tones by combining white, yellow ochre, and a touch of red. Achieve the green by mixing blue and yellow, and adjust the shade with brown or black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or muddy color mixtures
  • →Lack of depth in the landscape
  • →Ignoring the subtle variations in skin tones

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red, green, brown, white, yellow ochre, dark umber)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti