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home·artworks·Vincent van Gogh
Vincent van Gogh by John Peter Russell

plate no. 9026

Vincent van Gogh

John Peter Russell, 1886

oil, canvasImpressionismportraitportraitfiguremanclothingbeardhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, shoulders, and hand, paying attention to proportions.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main areas of light and shadow on the face and hair using a limited palette of earth tones.

  4. step 04

    Begin to refine the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the beard and hair, using short, broken brushstrokes to create texture.

  6. step 06

    Develop the clothing, using darker values to create depth and form.

  7. step 07

    Refine the hand and the object held in it.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red and yellow ochre to add warmth to the skin tones.

techniques

  • ·portrait sketching
  • ·value study
  • ·limited palette
  • ·broken brushstrokes
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using too much color and losing the subtle value relationships.
  • →Failing to capture the likeness of the subject.
  • →Not creating enough contrast between the subject and the background.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium red, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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