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home·artworks·Villas at Villers sur Mer
Villas at Villers sur Mer by Gustave Caillebotte

plate no. 2763

Villas at Villers sur Mer

Gustave Caillebotte, 1880

oil, canvasImpressionismlandscapebuildingstreeslandscapeseaskyclouds
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex forms into basic shapes. It also provides practice in capturing atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings and the horizon line.

  2. step 02

    Block in the large areas of color: sky, sea, grass, and the general shapes of the trees and buildings.

  3. step 03

    Begin layering colors in the sky and sea, blending to create a soft, atmospheric effect.

  4. step 04

    Develop the foliage by using short, broken brushstrokes to suggest texture and depth.

  5. step 05

    Add details to the buildings, paying attention to the light and shadow on the facades.

  6. step 06

    Refine the foreground grass with varied greens and yellows, adding subtle highlights.

  7. step 07

    Add final touches to the clouds, softening edges and adding highlights.

  8. step 08

    Review and adjust the overall balance of color and value.

color palette

primary · cerulean blue · viridian green · cadmium yellow · rose madder

secondary · titanium white · ultramarine blue · yellow ochre

Mix greens by combining blues and yellows, and use white to create lighter tints. Achieve the building colors by mixing reds, yellows, and a touch of blue to create muted pinks and oranges.

techniques

  • ·broken brushstrokes
  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the foliage, resulting in a flat, undifferentiated mass.
  • →Using colors that are too saturated, losing the atmospheric effect.
  • →Neglecting the subtle variations in color within the sky and sea.
  • →Ignoring the perspective of the buildings, leading to a distorted appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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