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home·artworks·Village view in winter
Village view in winter by Carl Julius von Leypold

plate no. 8729

Village view in winter

Carl Julius von Leypold

oilRomanticismlandscapebuildingssnowtreeslandscapeskywinter
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating realistic textures for snow and wood. It also offers practice in rendering architectural forms and bare trees.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the buildings and the horizon line.

  2. step 02

    Establish the sky with light blues and grays, blending softly to create a cloudy effect.

  3. step 03

    Block in the main areas of snow with white mixed with small amounts of browns and blues to create shadows and variations.

  4. step 04

    Paint the buildings using a mix of browns and grays, adding details like the wooden planks and stone foundations.

  5. step 05

    Add the trees, focusing on the bare branches and twigs, using thin brushes and dark browns.

  6. step 06

    Refine the snow textures with highlights and shadows, using dry brush techniques to create a grainy effect.

  7. step 07

    Add small details like the birds and the fence to enhance the realism.

  8. step 08

    Glaze with thin washes to unify the colors and create depth.

color palette

primary · titanium white · raw umber · ultramarine blue

secondary · burnt sienna · yellow ochre

Mix white with small amounts of raw umber and ultramarine blue to create the various shades of snow. Use burnt sienna and yellow ochre for the warm tones in the buildings and trees.

techniques

  • ·dry brushing
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the snow and losing the subtle variations in color.
  • →Making the tree branches too uniform and unnatural.
  • →Ignoring the atmospheric perspective and making the background too sharp.
  • →Using too much pure white without mixing in other colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to achieve color harmony.

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oil painting for beginners →how to learn by studying the masters →
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