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home·artworks·Village view
Village view by Cornelis Springer

plate no. 1644

Village view

Cornelis Springer

oilRomanticismcityscapebuildingsstreetfiguresskytreeshorse
experienced study

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering complex architectural details. It also provides practice in painting figures and animals within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to perspective lines of the buildings and street.

  2. step 02

    Establish the horizon line and vanishing point(s).

  3. step 03

    Block in the main shapes of the buildings, trees, and figures using thin washes of color.

  4. step 04

    Develop the sky with soft, blended colors, creating a sense of atmosphere.

  5. step 05

    Add details to the buildings, including windows, doors, and architectural ornaments.

  6. step 06

    Paint the figures and animals, paying attention to their proportions and poses.

  7. step 07

    Refine the details of the foreground, adding texture to the street and foliage.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt sienna · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red · ivory black

Achieve the warm tones of the buildings by mixing burnt sienna, raw umber, and a touch of cadmium red. Create atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Incorrect perspective can ruin the sense of depth and realism.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Ignoring atmospheric perspective can flatten the composition.
  • →Using colors that are too saturated can make the painting look garish.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for detail work.

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