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home·artworks·Village Street
Village Street by Frederic Bazille

plate no. 0224

Village Street

Frederic Bazille, 1865

oilImpressionismcityscapebuildingsstreetfiguresskytreesvillage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose brushwork to suggest form and texture. It's a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, road, and figures, paying attention to perspective.

  2. step 02

    Establish the horizon line and the vanishing point to guide the perspective of the street and buildings.

  3. step 03

    Block in the sky with a light blue, blending it towards the horizon with a warmer tone.

  4. step 04

    Lay in the base colors for the buildings, road, and foliage, focusing on the overall value structure.

  5. step 05

    Add shadows and highlights to create depth and dimension in the buildings and road.

  6. step 06

    Paint the figures with simple shapes and colors, suggesting details without overworking them.

  7. step 07

    Add details to the foliage and trees using loose brushstrokes and varying colors.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt umber

secondary · cadmium yellow · alizarin crimson · viridian green

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and white. Use yellow ochre and white for the warm tones of the buildings and road. Add small amounts of alizarin crimson to warm the browns.

techniques

  • ·atmospheric perspective
  • ·loose brushwork
  • ·value blocking
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Failing to establish a strong value structure, resulting in a flat painting.
  • →Ignoring atmospheric perspective, causing the background to appear too sharp.
  • →Using colors straight from the tube without mixing, leading to a lack of harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·easel
  • ·medium gloss
  • ·#2 detail brush

Use a medium-textured canvas to allow for better paint adhesion and brushwork.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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