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home·artworks·Village Outskirts
Village Outskirts by Kimon Loghi

plate no. 0837

Village Outskirts

Kimon Loghi

oilImpressionismlandscapetreeslandscapebuildingsskyfoliagepath
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering brushstrokes to create texture and depth in foliage and tree bark.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, buildings, and horizon line.

  2. step 02

    Establish the sky with broad, blended strokes of blues, grays, and whites.

  3. step 03

    Block in the distant mountains and fields using muted blues and greens, creating atmospheric perspective.

  4. step 04

    Paint the trees, starting with the trunks and branches, using a mix of browns and grays. Add texture with short, broken brushstrokes.

  5. step 05

    Add the foliage with dabs of yellows, oranges, and reds, varying the intensity to suggest depth and light.

  6. step 06

    Paint the path using a mix of yellows, browns, and greens, blending the edges to create a soft transition.

  7. step 07

    Add details to the buildings, using a small brush to define the shapes and add highlights and shadows.

  8. step 08

    Refine the overall composition by adjusting values and adding final details, such as small branches and leaves.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · raw umber

Achieve the atmospheric perspective by mixing blues and whites with small amounts of browns and yellows to create muted, hazy tones. Use a limited palette to create color harmony.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Using colors that are too saturated, which can disrupt the atmospheric perspective.
  • →Neglecting the importance of value contrast, which can make the painting appear flat.
  • →Failing to blend the edges of the colors properly, which can create a choppy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·apron

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider pre-toning the canvas with a thin wash of burnt sienna to create a warm undertone.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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