apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Village House in Southern France
Village House in Southern France by Winston Churchill

plate no. 5498

Village House in Southern France

Winston Churchill

oilImpressionismlandscapebuildingtreeslandscapeshadowsfoliagearchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to build texture. It also provides practice in observing and painting light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, trees, and landscape, paying attention to proportions.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin layering colors to build up the forms, starting with the background and working forward.

  4. step 04

    Use thicker paint and visible brushstrokes to add texture and detail to the foliage and building.

  5. step 05

    Mix and apply the shadow colors, paying attention to the color temperature and edges.

  6. step 06

    Refine the details of the trees and building, adding highlights and shadows as needed.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and details to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · viridian green · cadmium red

Mix greens by combining yellow ochre and ultramarine blue or viridian green. Achieve the building's color by mixing yellow ochre and white, adding small amounts of burnt umber for shadows. Shadows are a mix of burnt umber and ultramarine blue.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the color temperature of shadows.
  • →Failing to establish a strong value structure.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints: yellow ochre, ultramarine blue, burnt umber, titanium white, viridian green, cadmium red
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retarder medium
  • ·Varnish

Use a limited palette to simplify color mixing and create a harmonious painting. Consider using a medium to adjust the consistency and drying time of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann