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home·artworks·Village Church
Village Church by Stefan Luchian

plate no. 6057

Village Church

Stefan Luchian

oilImpressionismlandscapechurchtreeslandscapeskybuildinggrass
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and capturing atmospheric perspective. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the church, trees, and horizon line.

  2. step 02

    Block in the sky with a thin layer of grey and white, varying the tones.

  3. step 03

    Establish the main color masses for the church building, using browns, creams, and touches of red.

  4. step 04

    Paint the dark areas of the roof and shadows on the building.

  5. step 05

    Add the foliage using broken brushstrokes of green and brown.

  6. step 06

    Develop the foreground with layers of green and brown, suggesting grass and undergrowth.

  7. step 07

    Add details to the trees, such as branches and leaves, using a smaller brush.

  8. step 08

    Refine the details of the church, such as windows and architectural features.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · sap green · burnt sienna · payne's gray

Mix various shades of grey for the sky by combining white, raw umber, and a touch of blue. Create earthy greens by mixing yellow ochre and sap green. Use burnt sienna and raw umber to create the building's warm tones.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated or bright.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the brushstrokes enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to achieve color harmony. Consider using a toned canvas to unify the painting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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