
plate no. 6057
Recreating this painting will help students develop skills in loose brushwork and capturing atmospheric perspective. It also provides practice in simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the church, trees, and horizon line.
Block in the sky with a thin layer of grey and white, varying the tones.
Establish the main color masses for the church building, using browns, creams, and touches of red.
Paint the dark areas of the roof and shadows on the building.
Add the foliage using broken brushstrokes of green and brown.
Develop the foreground with layers of green and brown, suggesting grass and undergrowth.
Add details to the trees, such as branches and leaves, using a smaller brush.
Refine the details of the church, such as windows and architectural features.
color palette
primary · raw umber · titanium white · yellow ochre
secondary · sap green · burnt sienna · payne's gray
Mix various shades of grey for the sky by combining white, raw umber, and a touch of blue. Create earthy greens by mixing yellow ochre and sap green. Use burnt sienna and raw umber to create the building's warm tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to achieve color harmony. Consider using a toned canvas to unify the painting.
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