apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Views Across the Bosphorus, Constantinople
Views Across the Bosphorus, Constantinople by Hermann David Salomon Corrodi

plate no. 5958

Views Across the Bosphorus, Constantinople

Hermann David Salomon Corrodi

canvas, oilRomanticismlandscapelandscapetreesfiguresarchitecturewatersky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with multiple focal points. It also provides practice in capturing the effects of light and shadow on various surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements like trees and buildings.

  2. step 02

    Establish the sky with a gradient of warm and cool colors, blending smoothly.

  3. step 03

    Block in the distant landscape and water, paying attention to atmospheric perspective (lighter and less detailed in the distance).

  4. step 04

    Paint the main trees and foliage, using varied brushstrokes to create texture.

  5. step 05

    Add the figures and architectural details, focusing on accurate proportions and local color.

  6. step 06

    Refine the foreground details, including the ground, plants, and any small objects.

  7. step 07

    Adjust the values and colors throughout the painting to create depth and harmony.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and form.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium yellow · cadmium red · viridian

Achieve the warm, muted tones by mixing earth tones with white and small amounts of other colors. Use ultramarine blue and burnt umber to create darks. Mix yellow ochre and white for highlights.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the atmospheric perspective wrong, making the background too sharp or colorful.
  • →Overworking the details in the foreground, distracting from the overall composition.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Failing to establish a clear light source, leading to inconsistent shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium yellow, cadmium red)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat, various sizes)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a toned canvas to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer