apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Viewing Fish at Flower Harbour
Viewing Fish at Flower Harbour by Wu Guanzhong

plate no. 0883

Viewing Fish at Flower Harbour

Wu Guanzhong, 1977

oilImpressionismanimal paintingfishwaterpondfigurestreeslandscape
some experience helpful

Recreating this painting will help students develop skills in layering washes and creating dynamic compositions with repeated elements. It also encourages expressive brushwork and capturing movement.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: the pond's circular pattern, the shoreline, and the tree branch.

  2. step 02

    Apply a diluted gray wash to the entire pond area, creating the base for the water.

  3. step 03

    Add darker gray washes in concentric circles to define the ripples and depth of the water.

  4. step 04

    Use white to highlight the crests of the ripples, creating contrast and a sense of movement.

  5. step 05

    Paint the shoreline with a dark gray/black wash, adding a hint of blue for the figures.

  6. step 06

    Add the tree branch with bold black strokes, varying the pressure to create thin and thick lines.

  7. step 07

    Paint the red fish with confident brushstrokes, varying their size and orientation to suggest movement.

  8. step 08

    Add final details like the green reeds and subtle reflections.

color palette

primary · gray · red · black · white

secondary · green · blue

Achieve the gray tones by mixing black and white in varying ratios. The red should be a vibrant, slightly warm red. Mix a touch of blue with black for the shoreline.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·expressive brushstrokes
  • ·negative space

common pitfalls

  • →Overworking the washes, leading to a muddy appearance.
  • →Making the fish too uniform in size and shape.
  • →Creating a static composition by not varying the brushstrokes.
  • →Losing the sense of depth in the water.

materials

surface · Watercolor paper or rice paper

required

  • ·Watercolor paper or rice paper
  • ·Watercolor paints (gray, red, black, white)
  • ·Round brushes (various sizes)
  • ·Water container
  • ·Palette
  • ·Paper towels
  • ·Masking tape

optional

  • ·Chinese calligraphy brush
  • ·Ink
  • ·Palette knife

Using high-quality watercolor paper will help prevent buckling and allow for smoother washes. Experiment with different brush sizes to achieve varying line weights.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann